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2006
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January 7th to February 7th
Carnevale Sublime

February 19th - March 23rd
ménage à trois

March 22nd - April 12th
This City Light

March 22nd - April 18th
Cubed 3

May 24th - June 13th
Centrifugally Forced

June 21st - July 18th
Cerve

July 26th - Aug 20th
I Will Eat Your Heart Out/Bread Bed

Aug 30th - Sept 19th
Missing Children

Sept 27th - Oct 24th
She Out to have Wondered/Raw/"IDENTITY ISSUES IN TRANSRACIAL ADOPTEE'S"

Nov 1st - Nov 28th
Under Everything Walked Over

Nov 1st - Nov 28th
Members Only


Cubed 3
Mark Clintberg
Shinobu AKimoto
David Poolman
Dates Showing: March 22nd - April 18th, 2003

Cubed 3 is an exhibition which forced an awry contemplation of the mundane. Three artists, Mark Clintberg, Shinobu Akimoto, and David Poolman, created physical and introspective spaces that pushed the viewer to probe, and interrogate notions of the liminal territory between art and not-art. They explored the slippery disintegration between everyday objects, and art objects.

Believing that "there is content to all of it, all of living," Mark Clintberg wanted to make people really 'look' at the objects they owned to see them for all of their novelty. Clintberg's installation 'Maison de Study Haus' forced the audience to carefully inspect his unusual arrangement of objects, to think about the intentionality and precision explicit in their choice and placement.

Similarly, Shinobu Akimoto with 'Apartment Painting Project (and other related activities)' was interested in reflecting her explorations into how the idea of artmaking exists in relation to our daily living and our various endeavours of "creation"- or simply, Akimoto's installation "preoccupied with the symbiotic relationship between 'how to live' and 'how to make art'." The artist presented a series of "kitchen sized" photographs, a large photo mural, and a ready-made style wooden bannister.

As a video artist, David Poolman filmed himself doing everyday things, hence the title 'A Little Bit of Nothing'. In Iceberg, for example, he merely sat eating a salad with a spartan backdrop.The eating is in real-time, and as the viewer waited for something to happen, you felt as though you were in slow motion, completey absorbed in every facial twitch and every predicatable fork of lettuce. In his two short video pieces he played with the role of the viewer by turning them into active participants "who must come to terms with the . futile scenarios" that he presented.

Cubed 3, created unique, challenging environments within the gallery space that were difficult to reconcile. Thought provoking, humorous, it delivered the ordinary, from an innovative perspective, demanding the viewer to question what they are looking at, and to contemplate the function and relationship of the ordinary in art.